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Data source: Native American Ethnobotany Database · About: NAEB
id | species | tribe | source | pageno | use_category | use_subcategory | notes | rawsource |
---|---|---|---|---|---|---|---|---|
246 | 6 | 23 | 26 | 36 | 3 | 26 | Needles mixed with dry paint to make it smell better. | Hellson, John C., 1974, Ethnobotany of the Blackfoot Indians, Ottawa. National Museums of Canada. Mercury Series, page 36 |
426 | 22 | 210 | 25 | 40 | 3 | 26 | Charcoal mixed with oil and used as black paint. | Gunther, Erna, 1973, Ethnobotany of Western Washington, Seattle. University of Washington Press. Revised edition, page 40 |
1795 | 93 | 14 | 87 | 169 | 3 | 26 | Juice covering pit stones after baking used to paint stripes on buckskin. | Buskirk, Winfred, 1986, The Western Apache: Living With the Land Before 1950, Norman. University of Oklahoma Press, page 169 |
1827 | 94 | 14 | 87 | 169 | 3 | 26 | Juice covering pit stones after baking used to paint stripes on buckskin. | Buskirk, Winfred, 1986, The Western Apache: Living With the Land Before 1950, Norman. University of Oklahoma Press, page 169 |
1828 | 94 | 14 | 87 | 169 | 3 | 26 | Juice covering pit stones after baking used to paint stripes on buckskin. | Buskirk, Winfred, 1986, The Western Apache: Living With the Land Before 1950, Norman. University of Oklahoma Press, page 169 |
2736 | 188 | 15 | 45 | 155 | 3 | 26 | Flowers used as face paint. | Reagan, Albert B., 1929, Plants Used by the White Mountain Apache Indians of Arizona, Wisconsin Archeologist 8:143-61., page 155 |
2749 | 188 | 291 | 6 | 83 | 3 | 26 | Crushed leaves and blossoms moistened with spittle or water and rubbed on cheeks as rouge. | Stevenson, Matilda Coxe, 1915, Ethnobotany of the Zuni Indians, SI-BAE Annual Report #30, page 83 |
6215 | 442 | 60 | 30 | 66 | 3 | 26 | Milky juice used for temporary branding of livestock. | Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 66 |
7457 | 612 | 38 | 4 | 377 | 3 | 26 | Used as paint for the dead. | Densmore, Frances, 1928, Uses of Plants by the Chippewa Indians, SI-BAE Annual Report #44:273-379, page 377 |
7606 | 644 | 87 | 14 | 141 | 3 | 26 | Plant burned into black powder and used to make wood paint. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 141 |
7607 | 645 | 87 | 14 | 141 | 3 | 26 | Plant burned into black powder and used to make wood paint. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 141 |
7608 | 646 | 87 | 14 | 141 | 3 | 26 | Plant burned into black powder and used to make wood paint. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 141 |
7945 | 717 | 87 | 14 | 141 | 3 | 26 | Plant used to make paint for wooden items. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 141 |
7946 | 718 | 87 | 14 | 141 | 3 | 26 | Plant used to make paint for wooden items. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 141 |
8484 | 788 | 95 | 82 | 297 | 3 | 26 | Root and juniper bark chewed, mixed with white clay and used as ceremonial paint. | Colton, Harold S., 1974, Hopi History And Ethnobotany, IN D. A. Horr (ed.) Hopi Indians. Garland: New York., page 297 |
8485 | 788 | 95 | 37 | 91 | 3 | 26 | Root chewed, mixed with white clay and the juice used to decorate artificial squash blossoms. | Whiting, Alfred F., 1939, Ethnobotany of the Hopi, Museum of Northern Arizona Bulletin #15, page 91 |
8496 | 788 | 257 | 82 | 297 | 3 | 26 | Root and juniper bark chewed, mixed with white clay and used as ceremonial paint. | Colton, Harold S., 1974, Hopi History And Ethnobotany, IN D. A. Horr (ed.) Hopi Indians. Garland: New York., page 297 |
8760 | 820 | 125 | 108 | 43 | 3 | 26 | Roots chewed and smeared on the body and be impervious to wounding. | Rogers, Dilwyn J, 1980, Lakota Names and Traditional Uses of Native Plants by Sicangu (Brule) People in the Rosebud Area, South Dakota, St. Francis, SD. Rosebud Educational Scoiety, page 43 |
9424 | 894 | 190 | 17 | 78 | 3 | 26 | Plant formerly used for painting bows and arrows. | Gilmore, Melvin R., 1919, Uses of Plants by the Indians of the Missouri River Region, SI-BAE Annual Report #33, page 78 |
9478 | 898 | 27 | 134 | 83 | 3 | 26 | Berries used as red paint. | Carrier Linguistic Committee, 1973, Plants of Carrier Country, Fort St. James, BC. Carrier Linguistic Committee, page 83 |
9484 | 898 | 255 | 36 | 13 | 3 | 26 | Berries used by children as paint by rubbing it on what they wished to color. | Kari, Priscilla Russe, 1985, Upper Tanana Ethnobotany, Anchorage. Alaska Historical Commission, page 13 |
9486 | 898 | 259 | 33 | 502 | 3 | 26 | Calyx crushed and red paint used on the face, body, clothes, wood and skins. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 502 |
9487 | 898 | 259 | 10 | 203 | 3 | 26 | Plant tops mashed with a little water and used to make ink to write with. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 203 |
9729 | 922 | 137 | 89 | 319 | 3 | 26 | Juice diluted, smeared over the back of a bow and soot applied to produce a permanent black color. | Chestnut, V. K., 1902, Plants Used by the Indians of Mendocino County, California, Contributions from the U.S. National Herbarium 7:295-408., page 319 |
10311 | 1026 | 108 | 90 | 559 | 3 | 26 | Used to make the black paint for pottery decoration. | White, Leslie A, 1945, Notes on the Ethnobotany of the Keres, Papers of the Michigan Academy of Arts, Sciences and Letters 30:557-568, page 559 |
10344 | 1026 | 257 | 61 | 58 | 3 | 26 | Young plants boiled, dried, soaked in hot water and used as black paint for pottery decorations. | Robbins, W.W., J.P. Harrington and B. Freire-Marreco, 1916, Ethnobotany of the Tewa Indians, SI-BAE Bulletin #55, page 58 |
10350 | 1026 | 291 | 6 | 96 | 3 | 26 | Plant paste used with black mineral paint to color sticks of plume offerings to anthropic gods. The plant was boiled for a long time and the concoction allowed to evaporate. The precipitated paste was then used with black mineral paint to color sticks of plume offerings to anthropic gods. | Stevenson, Matilda Coxe, 1915, Ethnobotany of the Zuni Indians, SI-BAE Annual Report #30, page 96 |
10582 | 1064 | 87 | 14 | 145 | 3 | 26 | Plant used to make a green paint for wood. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 145 |
12286 | 1249 | 105 | 71 | 383 | 3 | 26 | Flowers pounded, mixed with salmon glue and fresh mountain grapes and used to paint arrows and bows. | Schenck, Sara M. and E. W. Gifford, 1952, Karok Ethnobotany, Anthropological Records 13(6):377-392, page 383 |
12297 | 1252 | 259 | 33 | 502 | 3 | 26 | Flowers used as a paint for clothing. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 502 |
12378 | 1273 | 95 | 72 | 15 | 3 | 26 | Flowers mixed with dark iron pigment used as a black color for pottery decoration. | Fewkes, J. Walter, 1896, A Contribution to Ethnobotany, American Anthropologist 9:14-21, page 15 |
12379 | 1273 | 95 | 82 | 310 | 3 | 26 | Plant used in the preparation of pottery paint. | Colton, Harold S., 1974, Hopi History And Ethnobotany, IN D. A. Horr (ed.) Hopi Indians. Garland: New York., page 310 |
12412 | 1275 | 258 | 61 | 60 | 3 | 26 | Plants moistened, steamed, liquid squeezed and the remaining mass used as paint to decorate pottery. | Robbins, W.W., J.P. Harrington and B. Freire-Marreco, 1916, Ethnobotany of the Tewa Indians, SI-BAE Bulletin #55, page 60 |
13103 | 1395 | 193 | 11 | 102 | 3 | 26 | Resin melted and used as a varnish. | Curtin, L. S. M., 1949, By the Prophet of the Earth, Sante Fe. San Vicente Foundation, page 102 |
13704 | 1459 | 95 | 72 | 20 | 3 | 26 | Flowers and chalky stones used as a bright yellow pigment for personal decoration in ceremonies. | Fewkes, J. Walter, 1896, A Contribution to Ethnobotany, American Anthropologist 9:14-21, page 20 |
14312 | 1554 | 107 | 79 | 43 | 3 | 26 | Ground flowers used as yellow paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 43 |
14313 | 1554 | 107 | 79 | 43 | 3 | 26 | Ground flowers used as yellow paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 43 |
14652 | 1599 | 151 | 73 | 12 | 3 | 26 | Plant used to make a yellow paint. | Blankinship, J. W., 1905, Native Economic Plants of Montana, Bozeman. Montana Agricultural College Experimental Station, Bulletin 56, page 12 |
14654 | 1599 | 259 | 33 | 501 | 3 | 26 | Used as a paint on wood and skin. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 501 |
14790 | 1621 | 181 | 14 | 49 | 3 | 26 | Whole plant made into a white powder, sometimes mixed with coloring, and used to make a paint. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 49 |
15666 | 1703 | 166 | 101 | 104 | 3 | 26 | Leaves crushed, mixed with salmon roe and used as paint for masks and wooden item designs. | Turner, Nancy J., John Thomas, Barry F. Carlson and Robert T. Ogilvie, 1983, Ethnobotany of the Nitinaht Indians of Vancouver Island, Victoria. British Columbia Provincial Museum, page 104 |
17224 | 1896 | 33 | 57 | 9 | 3 | 26 | Used to paint pipes in the Sun Dance and the Sacred Arrow ceremonies. | Hart, Jeffrey A., 1981, The Ethnobotany of the Northern Cheyenne Indians of Montana, Journal of Ethnopharmacology 4:1-55, page 9 |
18235 | 2033 | 12 | 52 | 46 | 3 | 26 | Outer shell coverings soaked in water to make a black paint. | Basehart, Harry W., 1974, Apache Indians XII. Mescalero Apache Subsistence Patterns and Socio-Political Organization, New York. Garland Publishing Inc., page 46 |
19556 | 2100 | 175 | 32 | 25 | 3 | 26 | Pitch heated, rubbed into a fine powder, mixed with grease and used as a red paint for girls' faces. | Turner, Nancy J., R. Bouchard and Dorothy I.D. Kennedy, 1980, Ethnobotany of the Okanagan-Colville Indians of British Columbia and Washington, Victoria. British Columbia Provincial Museum, page 25 |
19579 | 2100 | 259 | 10 | 99 | 3 | 26 | Pitch burned until dry to make a reddish pigment and used as a face paint for women and men. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 99 |
20437 | 2206 | 107 | 79 | 35 | 3 | 26 | Flowers made into yellow paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 35 |
20556 | 2215 | 38 | 4 | 377 | 3 | 26 | Used for facepaint. | Densmore, Frances, 1928, Uses of Plants by the Chippewa Indians, SI-BAE Annual Report #44:273-379, page 377 |
20594 | 2216 | 259 | 33 | 502 | 3 | 26 | Roots dipped in hot grease and used as a red paint on the face and on dressed skins. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 502 |
20630 | 2220 | 107 | 79 | 52 | 3 | 26 | Ground flowers used to make yellow paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 52 |
21202 | 2265 | 209 | 25 | 48 | 3 | 26 | Juice used to paint the faces of dolls. | Gunther, Erna, 1973, Ethnobotany of Western Washington, Seattle. University of Washington Press. Revised edition, page 48 |
21829 | 2370 | 105 | 71 | 383 | 3 | 26 | Fruit mixed with salmon glue and pounded larkspur flowers and used to paint arrows and bows. | Schenck, Sara M. and E. W. Gifford, 1952, Karok Ethnobotany, Anthropological Records 13(6):377-392, page 383 |
21895 | 2372 | 291 | 6 | 88 | 3 | 26 | Crushed berries used as purple coloring for the skin and for objects employed in ceremonies. | Stevenson, Matilda Coxe, 1915, Ethnobotany of the Zuni Indians, SI-BAE Annual Report #30, page 88 |
22391 | 2413 | 128 | 24 | 210 | 3 | 26 | Seeds mixed with iron oxide and turpentine to make a red paint. | Sparkman, Philip S., 1908, The Culture of the Luiseno Indians, University of California Publications in American Archaeology and Ethnology 8(4):187-234, page 210 |
24462 | 2640 | 86 | 14 | 217 | 3 | 26 | Plant made into black face paint and used by warriors. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 217 |
24475 | 2640 | 87 | 14 | 217 | 3 | 26 | Bark charred, mixed with pounded salmon eggs and used as black face paint for dancing. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 217 |
24496 | 2640 | 129 | 25 | 41 | 3 | 26 | Sticks burned, mixed with grease or Vaseline and used as a reddish brown face paint. | Gunther, Erna, 1973, Ethnobotany of Western Washington, Seattle. University of Washington Press. Revised edition, page 41 |
24497 | 2640 | 130 | 23 | 78 | 3 | 26 | Stems charred, mixed with grease or Vaseline and used as a black face paint. | Turner, Nancy Chapman and Marcus A. M. Bell, 1971, The Ethnobotany of the Coast Salish Indians of Vancouver Island, I and II, Economic Botany 25(1):63-104, 335-339, page 78 |
24510 | 2640 | 166 | 101 | 95 | 3 | 26 | Wood charcoal used as a special ceremonial paint for dancers. | Turner, Nancy J., John Thomas, Barry F. Carlson and Robert T. Ogilvie, 1983, Ethnobotany of the Nitinaht Indians of Vancouver Island, Victoria. British Columbia Provincial Museum, page 95 |
24615 | 2653 | 107 | 79 | 56 | 3 | 26 | Tunas used for red paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 56 |
25127 | 2705 | 125 | 108 | 40 | 3 | 26 | Blossoms used for painting the face. | Rogers, Dilwyn J, 1980, Lakota Names and Traditional Uses of Native Plants by Sicangu (Brule) People in the Rosebud Area, South Dakota, St. Francis, SD. Rosebud Educational Scoiety, page 40 |
25820 | 2800 | 125 | 108 | 59 | 3 | 26 | Blossoms used to make blue paint for moccasins. | Rogers, Dilwyn J, 1980, Lakota Names and Traditional Uses of Native Plants by Sicangu (Brule) People in the Rosebud Area, South Dakota, St. Francis, SD. Rosebud Educational Scoiety, page 59 |
26845 | 2931 | 190 | 17 | 78 | 3 | 26 | Fruit made into a red stain used in painting horses and various articles of adornment. | Gilmore, Melvin R., 1919, Uses of Plants by the Indians of the Missouri River Region, SI-BAE Annual Report #33, page 78 |
27241 | 2938 | 166 | 3 | 234 | 3 | 26 | Pitch used like shellac on harpoons. The pitch was ignited and caught with a mussel shell as it melted. The whale hunter's entire family would join in and chew the pitch until it was the right consistency. Then the hunter would put the pitch on his harpoon, smooth it over and then burn off the excess. Finally, he would shine it until it was smooth like shellac. | Gill, Steven J., 1983, Ethnobotany of the Makah and Ozette People, Olympic Peninsula, Washington (USA), Washington State University, Ph.D. Thesis, page 234 |
27490 | 2954 | 87 | 14 | 178 | 3 | 26 | Twigs burned and used as a pigment material for tattoos. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 178 |
27557 | 2959 | 89 | 2 | 205 | 3 | 26 | Gum used in the paint used on the base of arrows. | Weber, Steven A. and P. David Seaman, 1985, Havasupai Habitat: A. F. Whiting's Ethnography of a Traditional Indian Culture, Tucson. The University of Arizona Press, page 205 |
27600 | 2959 | 107 | 79 | 60 | 3 | 26 | Pitch mixed with ground lichens or mineral colors to make a paint medium. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 60 |
27815 | 2965 | 89 | 2 | 205 | 3 | 26 | Gum used in the paint used on the base of arrows. | Weber, Steven A. and P. David Seaman, 1985, Havasupai Habitat: A. F. Whiting's Ethnography of a Traditional Indian Culture, Tucson. The University of Arizona Press, page 205 |
28338 | 2991 | 25 | 111 | 55 | 3 | 26 | Red matter around root used as rouge. | Murphey, Edith Van Allen, 1990, Indian Uses of Native Plants, Glenwood, Ill. Meyerbooks. Originally published in 1959, page 55 |
28343 | 2992 | 106 | 60 | 52 | 3 | 26 | Juice from the stem and root juncture used to paint the face 'just for fun.' | Zigmond, Maurice L., 1981, Kawaiisu Ethnobotany, Salt Lake City. University of Utah Press, page 52 |
28344 | 2993 | 106 | 60 | 52 | 3 | 26 | Juice from the stem and root juncture used to paint the face 'just for fun.' | Zigmond, Maurice L., 1981, Kawaiisu Ethnobotany, Salt Lake City. University of Utah Press, page 52 |
29276 | 3097 | 33 | 30 | 68 | 3 | 26 | Fruits used to make red, green, yellow, purple and white paint for suitcases and tipis. | Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 68 |
29314 | 3097 | 166 | 101 | 126 | 3 | 26 | Sweet smelling, yellow resin used as a base for paints. | Turner, Nancy J., John Thomas, Barry F. Carlson and Robert T. Ogilvie, 1983, Ethnobotany of the Nitinaht Indians of Vancouver Island, Victoria. British Columbia Provincial Museum, page 126 |
29366 | 3098 | 33 | 30 | 68 | 3 | 26 | Fruits used to make red, green, yellow, purple and white paint for suitcases and tipis. | Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 68 |
30158 | 3158 | 193 | 11 | 93 | 3 | 26 | Resin boiled and used as a pottery paint. | Curtin, L. S. M., 1949, By the Prophet of the Earth, Sante Fe. San Vicente Foundation, page 93 |
30555 | 3175 | 125 | 108 | 56 | 3 | 26 | Fruit used to paint the face. | Rogers, Dilwyn J, 1980, Lakota Names and Traditional Uses of Native Plants by Sicangu (Brule) People in the Rosebud Area, South Dakota, St. Francis, SD. Rosebud Educational Scoiety, page 56 |
30824 | 3181 | 151 | 30 | 42 | 3 | 26 | Sap mixed with different colored clays and used as paint for Indian designs. | Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 42 |
30898 | 3182 | 105 | 71 | 384 | 3 | 26 | Gum applied to the surface of bows and arrows before painting the design. | Schenck, Sara M. and E. W. Gifford, 1952, Karok Ethnobotany, Anthropological Records 13(6):377-392, page 384 |
30958 | 3182 | 233 | 92 | 67 | 3 | 26 | Berries mixed with bear grease and used to make paint for painting pictographs. | Palmer, Gary, 1975, Shuswap Indian Ethnobotany, Syesis 8:29-51, page 67 |
31073 | 3188 | 87 | 14 | 143 | 3 | 26 | Plant used to make black paint for wood. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 143 |
31337 | 3204 | 107 | 79 | 64 | 3 | 26 | Boiled, crushed flowers used for yellow paint or dye. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 64 |
31348 | 3204 | 291 | 6 | 97 | 3 | 26 | Blossoms used by personators of anthropic gods for painting masks and for coloring bodies yellow. The blossoms were used by personators of anthropic gods for painting masks and for coloring their limbs and bodies yellow. The flowers were ground into a meal and mixed with yellow ocher and urine. | Stevenson, Matilda Coxe, 1915, Ethnobotany of the Zuni Indians, SI-BAE Annual Report #30, page 97 |
32242 | 3271 | 39 | 118 | 14 | 3 | 26 | Bark, red oak and live oak boiled and used for paint. | Bushnell, Jr., David I., 1909, The Choctaw of Bayou Lacomb, St. Tammany Parish, Louisiana, SI-BAE Bulletin #48, page 14 |
32345 | 3284 | 157 | 74 | 41 | 3 | 26 | Gum used for painting arrows between the feathers. | Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 41 |
32520 | 3291 | 39 | 118 | 14 | 3 | 26 | Bark, post oak and live oak boiled and used for paint. | Bushnell, Jr., David I., 1909, The Choctaw of Bayou Lacomb, St. Tammany Parish, Louisiana, SI-BAE Bulletin #48, page 14 |
32558 | 3294 | 39 | 118 | 14 | 3 | 26 | Bark, red oak and post oak boiled and used for paint. | Bushnell, Jr., David I., 1909, The Choctaw of Bayou Lacomb, St. Tammany Parish, Louisiana, SI-BAE Bulletin #48, page 14 |
33155 | 3352 | 107 | 79 | 66 | 3 | 26 | Crushed berry juice used as a vehicle for paint. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 66 |
33926 | 3417 | 259 | 10 | 267 | 3 | 26 | Petals mixed with pine pitch, grease and red ochre paint to make a cosmetic. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 267 |
34098 | 3427 | 259 | 10 | 267 | 3 | 26 | Petals mixed with pine pitch, grease and red ochre paint to make a cosmetic. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 267 |
34138 | 3431 | 259 | 10 | 267 | 3 | 26 | Petals mixed with pine pitch, grease and red ochre paint to make a cosmetic. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 267 |
34257 | 3434 | 259 | 10 | 267 | 3 | 26 | Petals mixed with pine pitch, grease and red ochre paint to make a cosmetic. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 267 |
35650 | 3518 | 33 | 57 | 37 | 3 | 26 | Charcoal used as a black paint for Sun Dancers. | Hart, Jeffrey A., 1981, The Ethnobotany of the Northern Cheyenne Indians of Montana, Journal of Ethnopharmacology 4:1-55, page 37 |
37053 | 3572 | 177 | 154 | 324 | 3 | 26 | Plant used as a red skin stain. | Gilmore, Melvin R., 1913, A Study in the Ethnobotany of the Omaha Indians, Nebraska State Historical Society Collections 17:314-57., page 324 |
38637 | 3771 | 257 | 61 | 60 | 3 | 26 | Root skin pounded into powder, water added and used as face paint for dances. | Robbins, W.W., J.P. Harrington and B. Freire-Marreco, 1916, Ethnobotany of the Tewa Indians, SI-BAE Bulletin #55, page 60 |
38656 | 3773 | 79 | 38 | 374 | 3 | 26 | Plant pounded in water into a gummy paste & applied over the rough inner surfaces of earthen dishes. | Chamberlin, Ralph V., 1911, The Ethno-Botany of the Gosiute Indians of Utah, Memoirs of the American Anthropological Association 2(5):331-405., page 374 |
38675 | 3779 | 79 | 38 | 374 | 3 | 26 | Plant pounded in water into a gummy paste & applied over the rough inner surfaces of earthen dishes. | Chamberlin, Ralph V., 1911, The Ethno-Botany of the Gosiute Indians of Utah, Memoirs of the American Anthropological Association 2(5):331-405., page 374 |
38886 | 3823 | 189 | 151 | 7 | 3 | 26 | Fruit used to make ink. | Castetter, Edward F. and Willis H. Bell, 1937, Ethnobiological Studies in the American Southwest IV. The Aboriginal Utilization of the Tall Cacti in the American South, University of New Mexico Bulletin 5:1-48, page 7 |
39034 | 3849 | 23 | 30 | 59 | 3 | 26 | Green twigs burned and smoke used to blacken newly made pipes. | Hart, Jeff, 1992, Montana Native Plants and Early Peoples, Helena. Montana Historical Society Press, page 59 |
39170 | 3867 | 107 | 79 | 30 | 3 | 26 | Petals mixed with whitewash. | Swank, George R., 1932, The Ethnobotany of the Acoma and Laguna Indians, University of New Mexico, M.A. Thesis, page 30 |
39729 | 3925 | 23 | 26 | 123 | 3 | 26 | Fruits often crushed and mixed with paint for a robe. | Hellson, John C., 1974, Ethnobotany of the Blackfoot Indians, Ottawa. National Museums of Canada. Mercury Series, page 123 |
39809 | 3939 | 257 | 61 | 61 | 3 | 26 | Used to make paint for pottery. | Robbins, W.W., J.P. Harrington and B. Freire-Marreco, 1916, Ethnobotany of the Tewa Indians, SI-BAE Bulletin #55, page 61 |
40497 | 3978 | 125 | 108 | 26 | 3 | 26 | Flowers made into a blue jelly like paint used for painting moccasins. | Rogers, Dilwyn J, 1980, Lakota Names and Traditional Uses of Native Plants by Sicangu (Brule) People in the Rosebud Area, South Dakota, St. Francis, SD. Rosebud Educational Scoiety, page 26 |