naeb
Data source: Native American Ethnobotany Database · About: NAEB
id | species | tribe | source | pageno | use_category | use_subcategory | notes | rawsource |
---|---|---|---|---|---|---|---|---|
271 | 6 | 88 | 14 | 174 | 3 | 167 | Tree used as a design on wooden drums. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 174 |
625 | 32 | 173 | 20 | 412 | 3 | 167 | Leaf frequently used in the Ojibwe beadwork designs. Many leaves, flowers and fruits furnish designs. Since the plants are sacred to their midewiwin or medicine lodge, it is common for them to use especially valuable remedies in their designs. | Smith, Huron H., 1932, Ethnobotany of the Ojibwe Indians, Bulletin of the Public Museum of Milwaukee 4:327-525, page 412 |
696 | 35 | 139 | 21 | 266 | 3 | 167 | Leaf used in beadwork designs. | Smith, Huron H., 1928, Ethnobotany of the Meskwaki Indians, Bulletin of the Public Museum of the City of Milwaukee 4:175-326, page 266 |
718 | 37 | 138 | 51 | 73 | 3 | 167 | Leaves used as design for bead work and applique work. | Smith, Huron H., 1923, Ethnobotany of the Menomini Indians, Bulletin of the Public Museum of the City of Milwaukee 4:1-174, page 73 |
721 | 37 | 173 | 20 | 413 | 3 | 167 | Three-lobed leaf was a great favorite with Ojibwe women for design work for beading. | Smith, Huron H., 1932, Ethnobotany of the Ojibwe Indians, Bulletin of the Public Museum of Milwaukee 4:327-525, page 413 |
725 | 37 | 206 | 43 | 110 | 3 | 167 | Leaves used as a pattern for bead and applique work. In making up a design for art work or bead work, a woman would burn deer antlers until they turned to charcoal and use this to rub on the backs of leaves. This surface was placed down upon a piece of white birchbark and rubbed until the shape and venation of the leaves were transferred to the birchbark. Then arranging with other leaves, a design would be formed which would be the pattern for the bead work. Oftentimes, this would be placed directly under the loom so that the form and outline of the finished bead work would be a true representation of the natural object. | Smith, Huron H., 1933, Ethnobotany of the Forest Potawatomi Indians, Bulletin of the Public Museum of the City of Milwaukee 7:1-230, page 110 |
7151 | 580 | 8 | 113 | 119 | 3 | 167 | Bark folded, edges chewed and resulting design transferred to baskets and moccasins. | Raymond, Marcel., 1945, Notes Ethnobotaniques Sur Les Tete-De-Boule De Manouan, Contributions de l'Institut botanique l'Universite de Montreal 55:113-134, page 119 |
7165 | 580 | 38 | 4 | 377 | 3 | 167 | Used as patterns for work in decorative art. | Densmore, Frances, 1928, Uses of Plants by the Chippewa Indians, SI-BAE Annual Report #44:273-379, page 377 |
11142 | 1102 | 276 | 139 | 49 | 3 | 167 | Bark used for the patterns in baskets. | Nickerson, Gifford S., 1966, Some Data on Plains and Great Basin Indian Uses of Certain Native Plants, Tebiwa 9(1):45-51, page 49 |
12643 | 1322 | 259 | 10 | 245 | 3 | 167 | Flower used as a pattern for beadwork on gloves, moccasins, vests and jackets. | Turner, Nancy J., Laurence C. Thompson and M. Terry Thompson et al., 1990, Thompson Ethnobotany: Knowledge and Usage of Plants by the Thompson Indians of British Columbia, Victoria. Royal British Columbia Museum, page 245 |
12687 | 1334 | 289 | 70 | 28 | 3 | 167 | Spores used to make designs on hands. | Baker, Marc A., 1981, The Ethnobotany of the Yurok, Tolowa and Karok Indians of Northwest California, Humboldt State University, M.A. Thesis, page 28 |
21141 | 2263 | 202 | 40 | 56 | 3 | 167 | Burned wood ashes made into a paste for tattooing. | Goodrich, Jennie and Claudia Lawson, 1980, Kashaya Pomo Plants, Los Angeles. American Indian Studies Center, University of California, Los Angeles, page 56 |
21481 | 2319 | 23 | 26 | 38 | 3 | 167 | Small, painted circles at the base of the tipi represented puffballs to insure fire to those within. | Hellson, John C., 1974, Ethnobotany of the Blackfoot Indians, Ottawa. National Museums of Canada. Mercury Series, page 38 |
23696 | 2576 | 87 | 14 | 128 | 3 | 167 | Plant heads used as the design for the horizontal timber ends of the Killer Whale house. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 128 |
24844 | 2670 | 157 | 74 | 64 | 3 | 167 | Plant shape used as form for figures in the sandpainting of the Cactus People for the Wind Chant. | Elmore, Francis H., 1944, Ethnobotany of the Navajo, Sante Fe, NM. School of American Research, page 64 |
25634 | 2769 | 259 | 33 | 500 | 3 | 167 | Leaves used as designs on baskets. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 500 |
25956 | 2825 | 289 | 70 | 45 | 3 | 167 | Spores used by children to make a design on their hands. | Baker, Marc A., 1981, The Ethnobotany of the Yurok, Tolowa and Karok Indians of Northwest California, Humboldt State University, M.A. Thesis, page 45 |
26634 | 2901 | 259 | 33 | 499 | 3 | 167 | Used to design ornamenting baskets. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 499 |
27074 | 2935 | 58 | 47 | 49 | 3 | 167 | Roots used to make designs on baskets. | Leighton, Anna L., 1985, Wild Plant Use by the Woods Cree (Nihithawak) of East-Central Saskatchewan, Ottawa. National Museums of Canada. Mercury Series, page 49 |
29912 | 3146 | 193 | 11 | 116 | 3 | 167 | Seed pods used as black designs for coiled baskets. | Curtin, L. S. M., 1949, By the Prophet of the Earth, Sante Fe. San Vicente Foundation, page 116 |
30967 | 3182 | 259 | 33 | 500 | 3 | 167 | Shredded bark used to ornament the rims of baskets. | Steedman, E.V., 1928, The Ethnobotany of the Thompson Indians of British Columbia, SI-BAE Annual Report #45:441-522, page 500 |
31005 | 3183 | 183 | 139 | 48 | 3 | 167 | Flower used as the favorite basket pattern. | Nickerson, Gifford S., 1966, Some Data on Plains and Great Basin Indian Uses of Certain Native Plants, Tebiwa 9(1):45-51, page 48 |
32395 | 3285 | 206 | 43 | 120 | 3 | 167 | Leaves used to furnish a design for beadwork. | Smith, Huron H., 1933, Ethnobotany of the Forest Potawatomi Indians, Bulletin of the Public Museum of the City of Milwaukee 7:1-230, page 120 |
39998 | 3951 | 87 | 14 | 162 | 3 | 167 | Wood used to make totem poles and other carvings. | Compton, Brian Douglas, 1993, Upper North Wakashan and Southern Tsimshian Ethnobotany: The Knowledge and Usage of Plants..., Ph.D. Dissertation, University of British Columbia, page 162 |
40459 | 3972 | 202 | 40 | 81 | 3 | 167 | Burned wood ashes made into a paste for tattooing. | Goodrich, Jennie and Claudia Lawson, 1980, Kashaya Pomo Plants, Los Angeles. American Indian Studies Center, University of California, Los Angeles, page 81 |
43789 | 4225 | 10 | 58 | 35 | 3 | 167 | Roots used to produce a red pattern in baskets. | Bell, Willis H and Edward F. Castetter, 1941, Ethnobiological Studies in the Southwest VII. The Utilization of of Yucca, Sotol and Beargrass by the Aborigines in the American Southwest, University of New Mexico Bulletin 5(5):1-74, page 35 |
44010 | 4227 | 187 | 163 | 78 | 3 | 167 | Red-brown inner roots used for basket designs. | Kirk, R.E., 1952, Panamint Basketry, Masterkey 26(76-86):, page 78 |
44016 | 4227 | 248 | 58 | 35 | 3 | 167 | Roots used to make brown designs. | Bell, Willis H and Edward F. Castetter, 1941, Ethnobiological Studies in the Southwest VII. The Utilization of of Yucca, Sotol and Beargrass by the Aborigines in the American Southwest, University of New Mexico Bulletin 5(5):1-74, page 35 |
44269 | 4237 | 10 | 58 | 35 | 3 | 167 | Roots used to produce a red pattern in baskets. | Bell, Willis H and Edward F. Castetter, 1941, Ethnobiological Studies in the Southwest VII. The Utilization of of Yucca, Sotol and Beargrass by the Aborigines in the American Southwest, University of New Mexico Bulletin 5(5):1-74, page 35 |